The Temptations of Doctor Antonio – Whiteness and Fellini’s Cinematic Imaginary

This presentation by Dr. Shelleen Greene (UCLA’s School of Theatre, Film & Television) will examine the trope of whiteness within Fellini’s first color film, The Temptations of Doctor Antonio (1962), arguing that the film’s setting within the EUR, or the Esposizione Universale Roma, allows for a meditation on Italy’s colonial legacies

ISCRIZIONI

Evento organizzato in occasione delle celebrazioni di Fellini100 e della XX Settimana della Lingua Italiana nel Mondo.